Year 7 Scripted Drama

The Year 7 Theatre students performed their ‘Reader’s Theatre’ of Tom Stoppard’s ‘Half Hour Hamlet.’ The Grade 7 students having explored the different ways to improve their creative processes through improvisation and mime (body awareness) now learn the structures and practices to help them perform comedic roles in a scripted Drama play. This assignment was to engage the students in performing a scripted performance to showcase their talents as actors and improve their ability to perform to the public using strong vocal projection, good mime and effective storytelling and transforming into different characters wherever possible using aspects of melodrama and comedy.  The focus was to become a ‘community of artists’ and to practice emotive reading by changing your emotional tones to match the words you are reading. Words can still be funny (even if everyone dies at the end of your play!)

Year 8 Commedia dell’arte group scenes

Year 8 explored the Italian genre of Commedia dell’arte through their Art of Comedy unit. First applying their research skills to an investigation of Commedia stock characters, students then formed groups and presented a Commedia scenario to their Year 8 peers. The old men, Pantalone, Il Dottore and Il Capitano, appeared, as did the young lovers, Flavio and Isabella, and the zanni (servant and clown characters), Brighella and Pedrolino, in hilarious and sometimes confusing situations.

Year 9 Shakespeare Monologues 

The Year 9 Students were to choose, study, learn, rehearse, and perform a monologue from an original Shakespearean play text. The students needed to: interpret, shape, select, structure, and show insight into their role as actors as well as to work with a director on their monologues. Notes were taken and scripts annotated will show the interpretation, shaping, and selection of ideas and insight. (Arts Process Journal). Performing with flair (confidence and control) and showing good awareness, understanding and control of the style of play their monologue is from.  They are consistently engaging with their audience and therefore, are using strong voice, body, and posture to keep their audience engaged with them.

Year 10 “The Trojan Women 

Hecuba Mourns the Death of a Child” scene – an Ancient Greek play meets Tadashi Suzuki, a Non-Western Theatre style.

학생들은 스즈키 타다시의 현대 일본 연극 양식을 조사하고, 연구하고, 배우고, 연습하고, 공연한 다음 신체 연극 훈련과 고대 텍스트를 결합해야 했습니다. 학생들은 10가지 걸음걸이와 4가지 기본 자세를 연습하고, 배우고, 공연해야 했습니다. 적극적인 참여와 집중력, 적극적인 경청을 유지해야 합니다. 위의 기술을 사용하여 수업 중 및 공개 공연에 참여합니다. 지난 9월에 보셨듯이

Students then needed to: go through the audition process, annotate their scripts, learn their ch

oreography/blocking, and design their CREW duties (mask, costume, promotional poster, introductory PPT, and curating a soundtrack). Plus,  interpret, shape, select, structure, and show insight into their role as an artist’s reflection writing (Arts Process Journal), shaping the selection of ideas, and insight.  finally performing with flair (confidence and control) and showing good awareness, understanding, and control of the style.

미스 제니퍼 라자렉
중등 공연 예술: DP & MYP 극장

말콤 모히니
공연 예술 책임자(초중고)
Secondary Performing Arts: DP & MYP Music / MYP Theatre